function x = generate_bassoon(amplitude, frequency, phase, fs, duration, duty) % GENERATE_BASSOON: returns a matrix of sampled waveform similar to % a bassoon. % CONTRIBUTORS: % Brandon Roberts: Original author % MuseScore: Reference source for overtone information % DOCUMENTATION: % phase shift is in number of periods % fs is the sampling frequency: how many sample points per second % duration is time in seconds % duty does not apply for instruments % setup needed variables n = fs * duration; % total data points dt = 1 / fs; % space between samples % initialize template time scale t = [1:n].*dt - phase; f = frequency .* (1 + 0.0001 .* sin(4.*pi.*t)./t); %frequency vibrato % generate proper fundamental and overtones x = (0.0934091627.*amplitude .* sin(2.*pi.*f.*t)) ... %fundamental (first partial) + (0.0257187994.*amplitude .* sin(4.*pi.*f.*t)) ... %second partial + (0.120530806.*amplitude .* sin(6.*pi.*f.*t)) ... %third partial + (amplitude .* sin(8.*pi.*f.*t)) ... %fourth partial + (0.216745656.*amplitude .* sin(10.*pi.*f.*t)) ... %fifth partial + (0.0561137441.*amplitude .* sin(12.*pi.*f.*t)) ... %sixth partial + (0.0300031596.*amplitude .* sin(14.*pi.*f.*t)) ... %seventh partial + (0.0863949447.*amplitude .* sin(16.*pi.*f.*t)) ... %eighth partial + (0.0574533965.*amplitude .* sin(18.*pi.*f.*t)) ... %ninth partial + (0.0337819905.*amplitude .* sin(20.*pi.*f.*t)) ... %tenth partial + (0.0576176935.*amplitude .* sin(22.*pi.*f.*t)) ... %eleventh partial + (0.0107298578.*amplitude .* sin(24.*pi.*f.*t)) ... %twelth partial + (0.00582622433.*amplitude .* sin(26.*pi.*f.*t)) ... %thirteenth partial + (0.00540916272.*amplitude .* sin(28.*pi.*f.*t)) ... %fourteenth partial + (0.00615481833.*amplitude .* sin(30.*pi.*f.*t)) ... %fifteenth partial + (0.00480252765.*amplitude .* sin(32.*pi.*f.*t)) ... %sixteenth partial + (0.0100473934.*amplitude .* sin(34.*pi.*f.*t)) ... %seventeenth partial + (0.00528278041.*amplitude .* sin(36.*pi.*f.*t)); %eighteenth partial x = x .* (1 + 0.1 .* sin(4.*pi.*t)); %volume vibrato end